Clapp L9 M, W 1:00-1:50 p.m. Recitations - See schedule below
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Dr. John Lyon 1409 Cathedral of Learning 624-5839 jblyon@pitt.edu |
Recitation Schedule / Semester Schedule / Image Archive / Review Sheet - Exam #1 / Review Sheet - Exam #2 / Review Sheet - Exam #3
Course Description:
This course introduces students to both a wide selection of Indo-European folktales as well as
numerous perspectives for understanding these folktales. We will examine the aesthetic, social,
historical, and psychological values that these tales reflect. In addition, we will discuss significant
theoretical and methodological paradigms in the field of folklore and folktale studies, including
structural, socio-historical, psychoanalytic, and feminist perspectives. Finally, we will analyze the
continuing influence of this folk tradition on popular and elite culture of our time. Upon
completion of this course, the successful student should be familiar with a variety of Indo-European folktales, be able to discuss several approaches to studying them, be able to identify the
most important motifs of these tales, be familiar with some of the most influential folklorists,
writers, and editors of the tales, and be able to assess the significance of folktales for
contemporary western culture. This course satisfies the Foreign Culture requirement of the
College of Arts and Sciences.
Course Materials
Texts:
Videos:
Requirements and Grading:
Your Course Grade will be calculated
as follows (please note that I do not allow for extra credit):
Participation |
15% |
Tests [2 in-class examinations, 25% each] |
50% |
Final Exam [Comprehensive] |
35% |
Examinations:
All exams are multiple choice. Exam questions will cover material from lectures and recitations as well as reading material/viewing assignments. Since the exams constitute your entire grade and since I do not allow retakes, it is your responsibility to make sure that you are both present and prepared for the examination. If you miss an exam without a valid excuse, you will receive a “0" grade for that exam.
Only medical and family emergencies constitute a valid excuse for missing an examination; to reschedule an exam in such a situation, you must present me with proper documentation–either a doctor’s note stating that you were too ill to attend the exam on the day stated (in the case of a medical emergency) or a note from your family stating that you were not able to attend due to an emergency. Such notes must include a phone number where I can contact the person who signed the note. Excuse notes must be presented immediately after the missed exam (at the next lecture when you return), and it is even better to notify me in advance, if possible. If a note is presented weeks later, I will not reschedule the exam.
Exam
Dates:
Note: Because the tests cover so many folktales, often in detail, it is a good idea to take detailed notes on each tale. Come test time, you'll find it much easier to review 10 pages of notes than 100 pages of folktales.
Lectures and Recitations:
Lectures will provide secondary information necessary to understand the tales in your reading assignment. They will not summarize tales, but will assume that you have already read the tales. It is your responsibility to take notes and ensure that you have understood what was discussed (do not be afraid to ask questions!). If you miss a lecture for any reason, medical or otherwise, it is your responsibility to find out from your classmates what was covered. I do not give out my lecture notes or PowerPoint slides.
Recitations will allow you to discuss, engage, and apply the material that you have read and that has been presented in lecture. It is very important that you come prepared to discuss. A good idea to prepare yourself for recitation is to develop in advance 3 questions for discussion. The first recitation will begin on Monday, January 13.
Preparation and Participation:
Please read all assignments and view all videos before attending lecture. You should plan on reading about 20 pages for each lecture and another 10-15 for recitation (about 55 pages a week). Although attendance will not be taken in lecture, it will be taken in recitation.
Recitation attendance is mandatory. You are allowed one unexcused absence from recitation, but each additional absence from recitation earns a "0" participation grade for that day (each "0" grade will drop your overall attendance grade by one whole letter grade). Your participation will be evaluated during each recitation section (on a 0-10 scale); your overall participation grade will be an average of these grades. The daily participation grades will be determined according to the following chart:
Note: quality of contributions matters! one thoughtful contribution will weigh just as much or more than several thoughtless and distracting contributions. You are free to ask for their participation grade anytime during the semester
Academic Integrity:
I will follow rigorously the guidelines for academic integrity of the College of Arts and Sciences. If a student is caught using unauthorized notes, giving or receiving help, or cheating in any other way during an exam or final, he or she will be immediately dismissed from class and will receive a “0” (=F) grade for that exam.
Students with Disabilities
If you have a disability for which you are or may be requesting an accommodation, you should inform both me and the Office of Disability Resources and Services, 216 William Pitt Union, (412) 648-7890/(412) 383-7355 (TTY) as early as possible in the term. DRS will verify your disability and determine reasonable accommodations for this course.
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Day |
Time |
Location |
Instructor |
Monday |
12:00 p.m. | CL 327 | Bilicke |
Tuesday |
12:00 p.m. | CL 230 | Bilicke |
Wednesday |
12:00 p.m. | CL 327 | Bilicke |
Thursday |
12:00 p.m. | WWPH 5J53 | Bilicke |
Friday |
12:00 p.m. | CL 142 | Bilicke |
Friday |
1:00 p.m. | CL 235 | Bilicke |
Please be advised: Some of these locations have restrictions. For example, no food or drink is allowed in nationality rooms in the Cathedral of Learning. These are university policies and no exceptions can be made. Please plan accordingly to avoid any inconvenience.
German 1502 - Indo-European Folktales
Preliminary Semester Schedule (subject to change) - Spring 2003
Key:
VfP = D. L. Ashliman, Voices from the Past
CFT = Maria Tatar, The Classic Fairy Tales
Week |
Dates |
To Prepare |
1: | 1/6 | Read Syllabus/Course Description, Course Introduction |
1/8 | VfP: 1-24 (Prologue; Origins, Miracles) | |
1/10 | Lecture instead of recitation (recitations begin on 1/13) VfP 25-45 (Fairies, Demons, Witches, Ghosts and Vampires) |
|
2: | 1/13 | VfP 46-64 (Roots: Family, Home and Nation) Recitations begin today |
1/15 | VfP 65-84 (Rules for Living) | |
Recitation
1 (1/13-1/17) |
Review: Origins, Miracles, Witches, Ghosts, and Vampires, Roots, History of Folktale Scholarship |
|
3: | 1/20 | No lecture on Monday - Martin Luther King, Jr. Day |
1/22 | VfP 85-106 (Children at Risk) | |
Recitation
2 (1/22-1/28) |
Review: Rules for Living, Children at Risk Schools of Folktale Scholarship CFT 373-387 (Aarne, Thompson, and Propp) |
|
4: | 1/27 | VfP 107-129 (Abandonment and Changelings, Young Giants) |
1/29 | VfP 129-149 (Sexual and Physical Abuse I) | |
Recitation
3 (1/29-2/4) |
Review: Abandonment and Changelings, Young Giants, Sexual and
Physical Abuse Review for Exam #1 CFT 280-291 (Darnton) |
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5: | 2/3 | VfP 150-172 (Sexual and Physical Abuse II) |
2/5 | Exam 1 | |
Recitation
4 (2/5-2/11) |
Review: Sexual and Physical Abuse Psychological interpretations CFT 269-280 (Bettelheim) |
|
6: | 2/10 | VfP 173-198 (Girls become Women) |
2/12 | VfP 198-225 (Boys become Men) | |
Recitation
5 (2/12-2/18) |
Review: Girls become Women, Boys become Men Coming of Age tales CFT 291-297 (Gilbert and Gubar) |
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7: | 2/17 | VfP 226-242 (Animal Brides, Animal Bridegrooms) |
2/19 | VfP 242-268 (Animal Bridegrooms) | |
Recitation
6 (2/19-2/25) |
Animal Brides and Bridegrooms CFT 297-308 (Rowe) |
|
8: | 2/24 | VfP 289-310 (Abandoned Women, Good and Evil) |
2/26 | VfP 310-323 (Resignation; Masters and Servants) | |
Recitation
7 (2/26-3/11) |
Review: Abandoned Women, Good and Evil, Resignation, Masters and
Servants Power structures, Morality, Nietzsche CFT 309-317 (Warner) |
|
Break | 3/3-3/7 | Spring Break |
9: | 3/10 | VfP 323-351 (More Tricksters) |
3/12 | VfP 352-371 (Ethnic Fools; More Fools) | |
Recitation
8 (3/12-3/18) |
Review: Tricksters and Fools, Wife Beaters Review for Exam #2 CFT 364-373 (Tatar) |
|
10: | 3/17 | VfP 372-383 (Wife Beaters) |
3/19 | Exam #2 | |
Recitation
9 (3/19-3/25) |
Review: Wife Beaters CFT 353-364 (Haase) |
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11: | 3/24 | VfP 384-403 (Bluebeards) |
3/26 | VfP 404-425 (Shrewish Wives / Women who rule their husbands) | |
Recitation
10 (3/26-4/1) |
Review: Bluebeards, Shrewish Wives, Women who rule husbands CFT 317-332 (Shavit) |
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12: | 3/31 | VfP 426-445 (Talkative Wives, Foolish Wives, Division of Labor) |
4/2 | VfP 446-466 (Adultery, Virtuous Wives) | |
Recitation
11 (4/2-4/8) |
Review: Talkative Wives, Foolish Wives, Division of Labor, Adultery,
Virtuous Wives CFT 332-342 (Zipes, part I) |
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13: | 4/7 | VfP 467-493 (Old Age / Death) |
4/9 | Disney: Snow White, Cinderella, and Beauty and the Beast | |
Recitation
12 (4/9-4/15) |
Review: Old Age / Death / Disney CFT 342-352 (Zipes, part II) |
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14: | 4/14 | Contemporary approaches to folktales: Feminism: Angela Carter: "The Tiger's Bride" (CFT 50-66) Parody: Shrek |
15: | 4/16 | Review for Final Exam |
Recitation
13 (4/16-4/18) |
Review: Feminism, Parody Review for Final Exam Note: Attendance at this recitation is optional, but highly recommended |
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Finals | 4/26 | Final Examination (10:00-11:50 a.m.) |